视频简介
出品单位:长春电影制片厂摄制单位:长春电影制片厂通过日期:2010年12月16日许可证号:电审数字〔201。〕 第352号声音制式:51幅别:l:178片长:96分钟编剧:贺恒祥导演:郑来志摄影:陈平主要演员:曾秋生唐荣曼主要内容: 该片通过乡村老人吉奶奶征婚以及在征婚过程中发生的几段令人捧腹的故事，表现了怀抱各式目的的应征者的众生相，反映了当今社会如何实现老人晚年幸福的社会问题。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。公元1898年，英国政府胁迫清廷展拓香港界址。易君恕拦轿求见李鸿章，恰在此时，一名蒙面男子突然持刀向李鸿章行刺，未遂。易君恕作为疑犯被当场抓获，李鸿章亲自审问，原来是故人之后，也未予治罪。危急时刻，易君恕被英国牧师林若翰搭救。迟孟桓正在追求林若翰之女倚阑，林若翰鄙视他，迟孟桓当面揭露了倚阑的身世,残酷的现实震撼了倚阑的心灵，和易君恕建立了相依为命的感情。迟孟桓把通缉告示密报港府警察司，要求逮捕易君恕。林若翰的老朋友骆克阻止了此举。《拓界》接管迫在眉睫，眉娘不顾自身安危，帮助邓伯雄购买了枪弹。易君恕撰写了《抗英保土歌》。林若翰、倚阑、易君恕陷入政治分歧和感情纠葛扭结的矛盾之中。易君恕在两广总督镇压中舌战方儒，感天撼地。邓伯雄率新安乡民与英军展开殊死捕斗，易君恕弹尽被捕,被判处绞刑。此刻，倚阑正经受产前折磨。一声啼哭，鲜血染红的产床上滚动着一个黑头发、黑...。